Times Square Church (TSC), located on West 51st Street in Manhattan’s Theatre District, has a long and diverse history. Built in 1930 by Warner Bros. as a movie palace known as the Warner Hollywood Theatre, the venue later transitioned into the Mark Hellinger Theatre. During that era, it hosted iconic Broadway musicals like My Fair Lady and Jesus Christ Superstar.
In 1991, the space was once again repurposed as an interdenominational house of worship under the direction of Pastor David Wilkerson. He chose to preserve the venue’s modern façade and rococo interior, now New York City landmarks. With a room this stunning, it required equally fitting sound. And, today, it has exactly that. This is due to a new L-Acoustics K3i loudspeaker system driven via a DiGiCo Quantum338 mixing console in Times Square Church. Special Event Services (SES) Integration installed both solutions.
Replacing Outdated Systems
Over the course of the global pandemic, according to local ordinances, Times Square Church closed its doors as a public worship space for 18 months. This allowed church leaders to undergo a proper reassessment of their AVL facilities. For many years, TSC had employed a very touring rider-friendly audio setup. It featured an L-Acoustics V-DOSC and dV-DOSC rig paired with DiGiCo SD10 mixing consoles for both front-of-house and monitors. However, the gear was starting to show its age. Furthermore, the system’s subs were in a cavity under the stage that flooded six years ago. This rendered them unusable, which meant that the tech team was leaning on the mains also to deliver low-end reinforcement for TSC’s sizable worship team.
“On a typical Sunday, we have a drum set, bass, multiple guitars, organ, keyboards, a full choir of 60 to 100 people. We also have 10 singers on stage, so we have a ton going on through the PA,” says TSC production director Luke LaPrairie. “When considering a new loudspeaker design, we were looking to provide better coverage throughout the room, so everyone attending would have an equal experience. We also needed to improve frequency response accuracy. We wanted to ensure that what happened onstage would come across to the audience with as much fidelity and passion as what was being performed.”
Overcoming Challenges
But there were a few obstacles to overcome first, points out SES Integration director, Trey Blair. “One challenge we had was the space itself,” says Blair. He previously served as a FOH engineer for Elevation Church before joining SES six years ago. “It’s a gorgeous room, so we couldn’t change anything about it. We couldn’t create more room where there wasn’t any like we can in new construction. We had to fit the new PA where the old one was; plus, we had to unobtrusively add subs to the room to support the church’s highly dynamic worship style.”
Just as importantly, Blair adds, the new system had to ensure that the spoken word of Tim Dilena, TSC’s senior pastor, could be clearly heard. This included every seat in the house, those at the very back of the venue and under the balcony. “We utilized Soundvision to create a model of the space, then acoustically modeled several L-Acoustics solutions in the room. K3i won hands-down every time. We needed the impact of a big box but couldn’t have the size of a traditional large-format PA. So, K3i fit the bill perfectly and left room for us to fly the subs beside it. Plus, its adjustable Panflex technology played a big part in the design of the arrays’ upper enclosures. [It allowed] us to very effectively reach the top of the balcony without energizing the hard surfaces on the walls.”
Times Square Church Installation
Installing the New System
Utilizing the former sound system’s rigging points, SES Integration was able to fly a dozen L-Acoustics K3i enclosures alongside six KS21i subs to the left and right sides of the stage at Times Square Church. A single coaxial X8 mounted to the wall below each sub hang provides far left and right fill. Meanwhile, five ultra-compact 5XT aesthetically mounted into the face of the stage deliver front-fill coverage. Several X12 located upstage left and right provide choir-fill. Furthermore, an additional pair downstage serve as wedges for the pastoral team and worship leaders.
To complement the room’s revamped loudspeaker design, SES installed a DiGiCo Quantum338 to serve as Times Square Church’s FOH console. This shares a newly integrated fiber-optic loop with TSC’s twin existing SD-Racks and SD10 consoles. Here, one continues to facilitate monitor mixes. Meanwhile, the other is repurposed as a dedicated broadcast console for the church’s recently-constructed broadcast mix room.
Each of the SD10s was upgraded with the latest SD10+ software for additional features and input channels. SES also supplied a DiGiCo Orange Box loaded with DMI-Optocore and DMI-MADI cards to facilitate connection to the church’s video router for embedded audio.
Choosing the Consoles
“The Quantum338 was our first choice for this project,” Blair shares. “It fits into the church’s existing hardware ecosystem and gives them the right channel count, bus count, control surface functionality, and I/O connectivity to serve them today and well into the future. The musicians at Times Square Church are top-notch…and this desk gives the church’s audio team such a great palette of tools to shape a beautiful mix.”
Also Read: Optimizing In-Person Worship Service Experiences
TSC FOH engineer Francisco Mota couldn’t agree more. “I’m really enjoying the Quantum338’s Dynamics and Mustard processing,” he says. “I use a combination of the board’s processors and Waves; but I can’t deny that I prefer to make my vocal mix solid on the DiGiCo processing as much as possible. I also particularly love the ability to move and assign faders on the fly, and both the Snapshot and Solo-in-Place features have been very helpful.”
For LaPrairie, the choice of adding another DiGiCo console at Times Square Church was an easy one. He attributes this to the church’s double — and continuing — successes with the SD-Range desks. “We’re going on eight years with our SD10s, and the fact that we’ve had no major failures with them impresses me a lot,” he notes. “That reliability combined with their Waves integration and the amount of flexibility they offer helped drive our decision to upgrade our FOH position with a Quantum338.”
Exceeding Expectations
With the new L-Acoustics and DiGiCo gear in place, Times Square Church now has a system that can more than adequately keep up with its dynamic and high-energy worship team. “This system is keeping the thousands of worshipers that come to TSC on their feet,” Mota enthuses. “I love the Quantum338 combined with the K3i. The warmth and clarity are all there. The impact it’s had on the audience is incredible, and the responses I’ve heard are overwhelming.”
“Hearing this system in this room for the first time was breathtaking; the amount of energy was palpable, and it continues to impress,” LaPrairie agrees. “Working with SES on this project was such a great experience because we were able to share our ideas and lean on their expertise; and the partnership brought us to what was certainly the best solution gear-wise. We’re all extremely happy with the results and excited about the potential of what this system will continue to bring to our worship experiences.”
Click on “View Slideshow” on upper-right corner for images of Times Square Church.
